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If there’s one thing that an astoundingly older crowd at Union Transfer on a dreary Philadelphia Wednesday night could take away from Architecture in Helsinki’s bubbly set, it’s that the Australian five-piece doesn’t mind a bit of a boogie. With an impressive tour bus idling in the car lot and a decidedly depressing forecast keeping many punters away from a last minute, curiosity-fueled ticket purchase, it appeared from the outset that AIH had brought their A- game and the stragglers of Philadelphia could only offer up the sort of polite grooving and head-nodding that a band of far lesser repute might deserve. Taking a friend unfamiliar with AIH along to the show, I attempted to convince her that all Australians danced like the motley crew up on stage. But when frontwoman Kellie Sutherland busted out a couple of sharp elbow-jabbing moves midway through the jumping ‘Everything’s Blue’ from the band’s latest release, Moment Bends, things got slightly problematic. Regardless of whether you could stomach AIH’s synth-tastic sound, hugely indebted to the cheese-pop of the 1980s, it was hard to doubt their sincerity or dedication.

On November 16th, the darlings of the Melbourne indie scene, Architecture in Helsinki, arrived in Philadelphia amidst a whirlwind US tour that featured the cheeky use of synthesizers, extremely unsafe activities performed on exercise bikes and thick, thick, thick Australian accents. In between making a creatively nutritious smoothie and gearing up for his show at Union Transfer that night, the band’s front-man Cameron Bird went on the air with S and N’s Sumi Naidoo to speak about the band, the tour, and his favourite member of the Wu Tang Clan (all of them). See the full interview after the jump.